"I also remember that the Space Man would stand very still inside the 20,000 Leagues Under the Sea exhibit, in the shadowed area around where the diving suits were. People would think he was part of the exhibit, until he would jump out. When supervisors found out about it, they put a stop to it. Some parents complained that the children were afraid."
-Dave DeCaro, Disneyland Historian
Completely rebuilt in 1967, Tomorrowland was christened the “New” Tomorrowland on July 2, 1967, with new attractions & scenery (shortly after Walt’s passing). The Carousel Theater, Flight to the Moon, Adventure Thru Inner Space, a new Circle-Vision building, and the PeopleMover/Rocket Jets platform gave Tomorrowland the “World on the Move” theme. Eventually, Walt’s idea of a Space Port opened as Space Mountain; Star Tours & Magic-Eye Theater opened in places of older attractions.
The Enchanted Tiki Room was the first Audio-Animatronic attraction to cost over $1 million and first opened on June 23, 1963. United Airlines was the first commercial sponsor, but it soon changed to Dole (try a delicious Dole Whip at the snack bar!) and was to be a restaurant featuring birds serenading guests as they dined. Since ownership was separate from the rest of the park, a small admission of 75¢ was charged. The Tiki Room was also Disneyland’s first fully air-conditioned building.
225+ talking, singing, and dancing birds, flowers, the magic fountain, tiki drummers and tiki totem poles perform “In The Tiki Room” by the Sherman Brothers and “Let’s All Sing Like the Birdies Sing.” The finale has them performing a rousing version of The Hawaiian War Chant. Exit music is an arrangement of Snow White’s “Heigh Ho” with lyrics thanking guests while encouraging them to exit quickly!
(Aug. 29, 1955—1982) CHICKEN OF THE SEA BACKSTORY: Built of wood in the middle of concrete with a small amount of water surrounding it. Tuna sandwiches, tuna salad (served in mini boats), tuna burgers, and hot tuna pies were served at the Pirate Ship Restaurant at the counter below the deck. The Pirate Ship Restaurant was also known as Captain Hook’s Pirate Ship and the Chicken of the Sea Restaurant.
On April 27, 1967, super-model Twiggy (Lesley Hornby) and her entourage spent a day at Disneyland, filming segments for her June 1967 show, “Twiggy: Why?” Most of these photos also feature her then boyfriend, manager, and Svengali, Nigel Davies, who changed his name to Justin de Villeneuve. Even back then, people reinvented themselves and their backgrounds. The two split up in 1973 when Twiggy discovered he was taking more than his share of her earnings for himself.
Procol Harum with the Scopitone version of A Whiter Shade of Pale, including great candid street scenes of sixties era London, pleasantly lost and wandering in the crowds of Trafalgar Square...
We skipped the light fandango Turned cartwheels 'cross the floor I was feeling kinda seasick But the crowd called out for more The room was humming harder As the ceiling flew away When we called out for another drink And the waiter brought a tray
And so it was that later As the miller told his tale That her face, at first just ghostly, Turned a whiter shade of pale
She said, "There is no reason And the truth is plain to see." But I wandered through my playing cards And they would not let her be One of sixteen vestal virgins Who were leaving for the coast And although my eyes were open wide They might have just as well been closed
And so it was that later As the miller told his tale That her face, at first just ghostly, Turned a whiter shade of pale
She said, "I'm here on a shore leave," Though we were miles at sea. I pointed out this detail And forced her to agree, Saying, "You must be the mermaid Who took King Neptune for a ride." And she smiled at me so sweetly That my anger straightway died.
And so it was that later As the miller told his tale That her face, at first just ghostly, Turned a whiter shade of pale
If music be the food of love Then laughter is it's queen And likewise if behind is in front Then dirt in truth is clean My mouth by then like cardboard Seemed to slip straight through my head So we crash-dived straightway quickly And attacked the ocean bed
And so it was that later As the miller told his tale That her face, at first just ghostly, Turned a whiter shade of pale
Sixties French Artist Antoine sings Les Elucubrations in a junkyard...
Lyrics loosely translated as follows:
Oh, Yeah! My mother told me, Anthony, do you cut hair I told my mother, in twenty years if you want, I do not care to be noticed, Not because I find it beautiful, But because I like it.
Oh, Yeah! The other day, I listen to the radio when I woke up Yvette Horner, who was playing the accordion, Your accordion get tired Yvette If you played the clarinet instead.
Oh, Yeah! My best friend, if you knew him, You could more you separate, The other day, it was not very smart, It took a laxative instead of taking the train.
Oh, Yeah! With my little cousin who is ten years We watched "Big Teddy Bear" on television, A teddy bear he said "Good night my good man" He started dancing the jerk at the Paladium.
Oh, Yeah! The judge said to Jules, you have killed, Yes I killed my wife, who I loved The judge told Jules "You have twenty years" Jules said: "When you love you always twenty years."
Oh, Yeah! Everything should change all the time, The world would be much more fun There would airplanes in the corridors of the subway And Johnny Hallyday in cages Medrano.
Oh, Yeah! If I wear shirts with flowers Because I'm ahead of two or three lengths, This is a matter of season Yours will still have only buttons.
Oh, Yeah! I received a letter from the Presidency Wondering, Antoine, you have common sense, How to enrich the country? Put the pill on sale in the supermarket.
Raoul de Godewarsvelde enchants with L'Entrecote (The Steak) about a hard working seamstress who sells her body for sirloin to take care of her little starving french children.
HDV also recommends viewing the massive French eyewear onslaught happening in the background of Raoul's fatherly ode, "C'est Pour Mon Papa":
Hadrian Belove in Thierry Lasry from Hotel De Ville
In the lobby of the Silent Movie Theatre on Fairfax, a set of stairs leads to the hidden headquarters of Cinefamily, the outfit that has programmed and managed the theater for the past three years. Upstairs, two walls are lined with dry-erase boards bearing non sequitur lists, the fruits of brainstorm sessions for future programs: Conspiracy Theory, Kusturica, squirmcore (whatever that is). At a table piled with ashtrays and DVDs sits Hadrian Belove, the former video-store owner who has led the charge to turn this storied, reputedly haunted old theater into the site of some of the most vibrant and unusual repertory and independent-film programming in the country.
Emily Dickinson...Langston Hughes...Walt Whitman...Keats, Blake, Virgil, Shakespeare... have nothing on Daryl Hall and John Oates. Sure, the old masters could write, but could they sing as well? It is one thing to studya poem, to analyze it, and theorize about context and alliterations...but to feel it, like these real men do, that's poetry.
High and dry, out of the rain It's so easy to hurt others when you can't feel pain And don't you know that a love can't grow Cause there's too much to give Cause you'd rather live for the thrill of it all, oh
You're a rich girl (rich girl), and you've gone too far Cause you know it don't matter anyway (rich girl) You can rely on the old man's money You can rely on the old man's money
It's a bitch girl (rich girl), and it's gone too far Cause you know it don't matter anyway (rich girl) Say money, but it won't get you too far Say money, but it won't get you too far, get you too far
-From Bigger than Both of Us, Hall & Oates (1976)
*Note the Sunglassed SaxophonistSolo amidst the Sensual Smoke
Easy ready willing overtime When does it stop, where do you dare me to draw the line You got the body now you want my soul Don't even think about it say No Go Now I'll do anything you want me to I'll do almost anything that you want me to
But I Can't Go For That No Can Do
I can't go for being twice as nice I can't go for just repeating the some old lines Use the body now you want my soul Oo forget about it say No Go Yeah I'll do anything you want me to I'll do almost anything that you want me to
But I Can't Go For That No Can Do
-From Private Eyes (1981)
*Watch Martika perform Possession Obsession on Kids Incorporated here
You know there's something you need Right here and now To fill the space inside of yourself Money love or power When you want to have the number one first run anyone Youre crazy til you own them You ought to know better than that The more that you buy the less you get back Its a case of possession obsession Gimme gimme
The compulsion to count the percentage of time Spent between two lovers Can turn an hour into a crime And all the good times suffer Though you know it's only jealousy You can't help but be Haunted by your passion Don't you know it's a matter of fact The more that you take the less you give back Just a taste of possession obsession Brings a case of possession obsession Gimme gimme
Think I'll spend eternity in the city Let the carbon and monoxide choke my thoughts away And pretty bodies help dissolve the memories They can never be what she once was to me (was to me)
She's gone (she's gone) oh, I, oh, I, I better learn how to face it She's gone (she's gone) oh, I, oh, I, I'd pay the devil to replace her She's gone (she's gone) oh, I, what went wrong
-From Abandoned Luncheonette (1976)
And lastly, HDV would like to honor to this most rock and soulful performance, live at the Apollo, of their original song, Everytime You Go Away (1985):
If you just can't get enough, click here and here and here and here !