30 October 2009
29 October 2009
28 October 2009
27 October 2009
Turtleneck Swimsuits & Underwater Berets of 1969
Well covered up in black, these suits make a stylish show in front of The Jail, local hangout where kids go to dance after a day in the sun. At left is a simple knit (Cole, $33) worn with watergoing beret (Kleinert's, $4). High-neck suit at right has a primly ruffled collar (Bill-Blass-Roxanne, $35), which detaches.
Labels:
1969
26 October 2009
23 October 2009
Goggles Week | British Invasion, 1943
British pilots using dark goggles to achieve better night vision before embarking on a bombing mission.
Labels:
1943
22 October 2009
Goggles Week | For Your Safety? 1943
Two courageous women modeling safety garb to prevent future occupational accidents among female war workers; brunette on the left wearing uniform & plastic eye goggles & blonde on the right opening her uniform to reveal a sturdy plastic bra.
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1943
21 October 2009
20 October 2009
19 October 2009
16 October 2009
15 October 2009
14 October 2009
Kidnapped in Crystal | Peter Lorenz, 1948
Head of Junge Union Peter Lorenz, wearing glasses in 1948. Nearly thirty years later, in 1975, Lorenz was candidate for mayor of West Berlin when he was kidnapped by the terrorist group Movement 2 June three days before the elections. The terrorists demanded a release of several imprisoned group members. After the militants had been flown out to South Yemen, Lorenz was set free with change to call a cab. Ich gratuliere, Peter! HDV hopes the glasses made it through uncompromised.
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1948
13 October 2009
Feeling Peckish | Gregory in Goggles, 1950
Gregory Peck costumed as WWII American Air Forces bomber pilot for movie Twelve O'Clock High. This film is frequently cited by surviving bomber crewmembers as the only accurate depiction from Hollywood of their life during the war. Twelve O'Clock High premiered in Los Angeles December 21, 1949. Peck was nominated for Best Actor in a Leading Role for his portrayal of Brigadier General Frank Savage.
Labels:
1950
12 October 2009
08 October 2009
07 October 2009
Art Raises Its Head | Edith in Hollywood, 1955
Movie costume designer Edith Head, in signature sunglasses, standing behind dressmaker's model and holding up dotted black tulle in front of her, in her studio. Head was a very private woman, a trait well illustrated by the dark sunglasses that became her trademark.Originally the lenses were blue, but later they were dark shades of gray. Originally, they were worn to see how the clothing would appear in black and white. The glasses and her unchanging hair style helped her to hide her true age. In the 1920s, she wore a Colleen Moore Dutch boy cut, but in the 1930s she noticed Anna May Wong's style and copied it: flat bangs with a chignon at the back. She would wear it for the rest of her life. These features and the consistency of her appearance over the decades helped make her an instantly recognised figure.
Labels:
1955
06 October 2009
Reality Used to Be a Friend of Mine | PM Dawn, 1991
Careless whisper from a careless man,
A neutron dance for a neutron fan;
Marionette strings are dangerous things,
I thought of all the trouble they bring.
An eye for an eye, a spy for a spy,
Rubber bands expand in a frustrating sigh.
Tell me that shes not dreaming.
Shes got an ace in the hole,
It doesnt have meaning.
Reality used to be a friend of mine,
cause complete control, I dont take too kind.
Christina applegate, you gotta put me on.
Guess whos piece of the cake is jack gone?
She broke her wishbone and wished for a sign.
I told her whispers in my heart were fine.
What did she think she could do?
I feel for her, I really do.
Labels:
1991
05 October 2009
Bring Me the Head of Alfredo Garcia | Warren Oates' Sunglassed Shoot-Out, 1974
Bring Me the Head of Alfredo Garcia, 1974. Warren Oates in sunglasses for at least 75% of film.
Labels:
1974
02 October 2009
Intergalactic Aviators | Space is the Place
Excerpt from Sun Ra's sci-fi jazz odyssey Space is the Place, 1974.
Labels:
1974
01 October 2009
Beatniks are out to make it rich | Julie Driscoll and the Psychadelic Eye, 1968
When I look out my window,
So many sights to see...
And when I look in my window,
So many different people to be
That it's strange, so strange...
You've got to pick up every stitch,
You've got to pick up every stitch,
You've got to pick up every stitch,
Mmmmm, must be the season of the witch,
Must be the season of the witch, yeah,
Must be the season of the witch...
Labels:
1968
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